Showing posts with label mural. Show all posts
Showing posts with label mural. Show all posts

14 December 2017

Fox Way Murals - South Side Community Mural Project by multiple artists

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The South Side Community Council initiated a plan in partnership with South Side Flats residents to create 10 murals celebrating the history of the neighborhood. The first four murals completed in the South Side Community Murals Project were done along the 2000 block of Fox Way in the fall of 2017.

Prior to this project, this alley was pretty much an eyesore. Garbage cans and graffiti made an unwelcoming atmosphere. One of the objectives of filling this passage with art is to create an inviting route for people to explore the neighborhood on foot or bike. Another was simply to reduce offensive graffiti and embrace some of our tallented, local artists, giving them an “authorized” canvas to display their art on.

The first of the four murals here was actually completed earlier in the year with a helping hand from the Hemispheric Conversations Urban Art Project. In Apr 2017, artists KIF, Orion (Orion Ramirez) and WES (J. Weslly Manrique) from León, Mexico were in town for Hemispheric Conversations Urban Art Project at the Carrie Furnace. The South Side's Graffiti Watch group was offered the opportunity to have these artists create something for them. A collage of images from Pittsburgh's history - done with a bit of a Latin American flavor - became the first authorized mural for the new South Side mural project. This first attempt at sprucing up the Fox Way alley made a big impact, and helped inspire the community to expand on the idea.


In October there was an all out assault on the remaining walls along Fox Way. Three intriguing murals were done by local artists. The four murals running from West to East along the block are:

Untitled by Michael Walsh. Photo by Steve Root.


Untitled by J. Weslly Manrique, Orion Ramirez, and KIF. Photo by Kelly Carter.


“Dollar Store Daydream” by Matt Spahr.  Photo by Kelly Carter.

“Summer Snow in the Sugar Mine Mirror” by Cameron Clayton.  Photo by Kelly Carter.









01 August 2017

Welcome to Troy Hill by James Simon

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We've been waiting and waiting to see this mosaic that welcomes people to the Troy Hill neighborhood. In 2013 we had heard it might finally be installed, so we put up the placeholder on our map with a guestimate for the location based on some articles and what artist James Simon had been told. Then in 2014 we saw this Post Gazette article explaining why it still sat in Mr Simon’s basement. 2015 looked promising since the road work on Rt28 was completed. The new bike/pedestrian trail along the road opened and yet still nothing. FINALLY we discovered that it was installed in 2017! So happy this one has finally gotten to see the light of day.

This is the third neighborhood in the area lucky enough to have a welcome sign done by Mr Simon.

22 November 2016

Lina Cavalieri by Jeremy Raymer

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photo by Jeremy Raymer                           

Jeremy Raymer pays tribute to Italian opera singer Lina Cavalieri, who was known as the most beautiful woman in the world.

18 November 2016

Energy Flow by Andrea Polli

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Sixteen wind turbines are integrated into this design to generate the power for thousands of LED lights. This eco-friendly, technology driven public art is here temporarily, making the Rachel Carson Bridge sparkle for the Christmas season. Yeah, I know, we're supposed to call it Sparkle Season or some other euphemism, but whatever you call it, the non-denominational artwork is scheduled to be here from Light Up Night until New Year's Eve (18 Nov - 31 Dec 2016).

A computer system controls every strip of lights and can be programmed remotely. During the Light Up Night festivities we watched the light patterns changing in color and rhythm. Definitely a festive addition to the city lights.

01 October 2016

Strawberry Way Rotating Mural

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The Pittsburgh Downtown Partnership (PDP) has been working since 2003 to improve the environment of this alley that connects Liberty Ave to Grant St. Heavy pedestrian use has inspired the PDP and local businesses to turn it into an inviting, pedestrian-only area. Over the years there have been some smaller art installations, but starting in 2016, they went big. The entire three block stretch of pavement is now covered with a mural. The art is temporary and the plan is to replace it with something new every few years.

2016: City Composition by Deanna Mance

According to the Office of Public Art, Mance’s mural design was influenced by the surrounding architecture in Strawberry Way and the region’s curvaceous topography.

30 September 2016

South Side Schlumpy Funk by Laura Jean McLaughlin

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Cara and Adam Jette, members of The South Side Slopes Neighborhood Association, saw photos of some step art projects around the world and realized that they had the makings of a step art gallery in their back yard. All of the staircases peppering the Southside Slopes were blank canvases with all sorts of fun possibilities. After months of research, planning, fundraising, and collaboration with local artist Laura Jean McLaughlin, phase one of this master plan became reality.

Oakley St was chosen to be the first stairway for the artistic transformation (with the hope of doing more in the future). Before anything else could be done, the steps needed some TLC. Cara and Adam did the legwork and arranged for the city to make repairs so there would be a good foundation for the artwork.

Laura Jean McLaughlin met with the committee, the community, and the volunteers to create a design that incorporated the ideas of everyone that wanted to help. The first creative session started with everyone doing some art exercises, stimulating the creativity of the group. Then everyone was asked to contribute words or short phrases about the neighborhood.

Once the list was done, each participant was tasked with selecting three or four items from the list to put together an idea for a design. Some of the resulting proposals were very imaginative and fun! They ranged from a poem comprised using only words on the list, to a wide range of images. Many of them included elements from the history of the neighborhood. Some included images of places and things prevalent in the community today. Others creatively blended the words and ideas into eclectic images. In the end Laura Jean McLaughlin took all of the suggestions, all of the words and ideas offered, and produced two designs for the group to chose from. When the designs were presented at the following meeting the group was thrilled. The winning design was selected and a few tweaks were proposed.

From that point, Ms McLaughlin needed to create the full scale design, divide it into 77 horizontal segments, and calculate the amount of each color of tile that would be needed. It would take months to get the tile because the only manufacturer of a frost-proof tile able to endure our climate is in Italy.

The sketch had to be modified somewhat because of the unusual perspective the steps would create. Standing at the bottom and looking up would require some adjustments. Laura Jean tried to compensate for the viewing angle and the fact that each step would most likely obstruct a slice of the step above it until the viewer moved far enough back. There would still be some issues because of the landings in the long staircase, but as the viewer climbs the steps they can easily see the image unfold. One of the modifications Ms McLaughlin made was the elongated neck on the woman. As you walk up the steps it's noticeable, but from the bottom the image looks proportional.

While Ms McLaughlin worked out all of the artistic details, the committee worked on raising sufficient funds. They applied for grants, held fundraising events, and used a crowd funding website to get the donations they needed.

Once the tiles arrived, it was time to gather the volunteers together and teach them how to create the mosaic. Laura Jean McLaughlin manufactured 77 boards, each covered with the design for one of the risers on it. That was overlaid with a strip of mesh for attaching the tiles.

The volunteers were shown how to break the tile using tile nippers and attach the pieces to the mesh with just enough adhesive to hold them in place.

As the installation began, interested started to grow. Pedestrians, cyclists and motorists all paused to admire the work. Many stopped to ask about it and take some pictures. Soon we noticed photos popping up on social media and the response was very positive.

We stopped by while Laura Jean worked with an assistant to install the panels. At this point, she hadn't titled the mural, but she told us the woman in it was Darla. That much she was sure of, but the title was still being elusive. A few days later, as the installation continued, it came to Laura Jean and South Side Schlumpy Funk was named.

To install the mural, each strip of mesh with the tile attached was carefully cut from the wood. Another board was placed on top of the panel and the entire piece flipped upside down. Thin set mortar was then applied to the back of the tile as well as the step riser, and then the tile panel was pressed into place.

This was a pretty big project and there were a few hurdles along the way. First were the administrative hoops to jump through - getting city approval for the project; getting the art commission to ok the design; getting the steps repaired. Then there was the fundraising. This project was only possible because Laura Jean McLaughlin cut her fee to the bone. She was that excited to take this on. Thanks to her and to all the people that contributed to the Go Fund Me campaign, plus all the volunteers that worked on it - we have a really cool set of stairs in the city now.

There were a lot of volunteers that stepped up and contributed. Too many to list here. More than 40 different people showed up for the meetings and helped break and glue tiles into place. Of course there were a few college students that almost ruined it all when they took one of the steps home to work on and never returned it. Ms McLaughlin had to re-create the design for that step and Cara and Adam came through in the crunch to fill it with tiles while the other steps were being installed.

There were high hopes of having it all installed in time for Step Trek 2016, but the weather didn't cooperate. Several days of rain put things on hold and the mural was only half finished by then. It was worth the wait though. The finished mural is fun, unique, colorful and an amazing accomplishment. The community really pulled together to make this happen. Laura Jean McLaughlin not only wowed us with the design, but did a great job of leading all the volunteers through the process of bringing it to life.

Because of the location of the staircase, there was no way for us to get a good photo without the street sign obstructing part of it. Here are some close ups as you walk up the steps:

28 September 2016

Jazz Players by Matthew Alexander

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We spotted this mural going up on the back walls of North Shore Place I and II and contacted the developer to find out more. They connected us directly with the artist, Matthew Alexander, who told us this about the installation:

...the graphic covers an area about 20 feet high and over 200 feet long on the backside of a set of retail buildings that overlook a large tailgating lot for the Steelers and Pirates as well as a freeway.

The North Shore Place I & II mural depicts the shadows of jazz musicians being cast up onto the rear of the buildings. The concept is to show the abstracted depictions of some of Pittsburgh’s most famous jazz musicians: Roy Eldridge, Ray Brown, Errol Garner, and Kenny Clarke, who are playing their instruments in a sort of back–alley, while what remains is their cast shadows.

The limitations I had to work within were set prior to my involvement: 1–2 colors, and silhouettes of jazz musicians. I worked with Rob Dower, an architect with Strada Architecture to complete and approve the design.

You can spot the mural from the Fort Duquesne bridge ramp. It makes the building stand out from the crowd and seems to be a perfect example of how art makes a difference. This very low key, subtle image totally changes the personality of the otherwise plain, brick building and parking lot.

Tree Mural by Mark Panza

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Never intended to be more than temporary, this piece is already gone. The Dinette Place in Millvale was closed, the building empty and forlorn. We came across some people sprucing up the area one afternoon, and some of them were decorating the boarded over windows on this building. Instead of leaving the plain, drab boards with the sole function of protecting the glass from vandals – a bit of an eyesore – they chose to wrap this building in artwork.

It was a simple design of bare trees, with a pattern that made it easy to extend as needed. The colors and design did a very nice job of urban camouflage. They hid the unused building with the sad, blank facade, behind a spash of color. It was a very good example of how art can help maintain a feeling of vitality. The presence of the mural eliminated the impression of neglect, or abandonment. The art showed that the community was invested in this business district.

The good news is that the reason the artwork was removed was because renovations began on the old building, breathing new life into the structure as well as the business district.

27 September 2016

Homer Simpson Mural by Matt Gondek

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Although the address is on Butler St, this image of Homer Simpson coming apart is actually at the back of the building, along Dresden Way. Artist Matt Gondek has drawn quite a few cartoon characters in some form of explosion or deconstruction. If you look on his website you’ll find several images exploding, melting or dripping away. Sometimes the skeletal structure or the organs beneath are revealed, as if he’s peeling away the layers.

In 2016 Matt returned to Pittsburgh to do a mural in Uptown of Donald Duck.

Mural of Donald Duck and More by Matt Gondek, Ghostbeard, Patch Whiskey

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In 2016 three artists returned to Pittsburgh to do this mural in Uptown. Matt Gondek is known for his cartoon images in a state of explosion or destruction. He uses the term Deconstructive Pop Artist on his website to describe himself. Patch Whiskey does lots of multi-colored, huge-eyed, monster-type characters with, of course, a lot of character. He also makes toys. Cool. Ghostbeard (Matt Hutton), shares that love of bright colors and abstract characters with a focus on eyes. These artists have worked together several times.

Goat and Deer murals by Kaff-Eine

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While Australian street artist Kaff–Eine was visiting Pittsburgh, her friends located this boarded up storefront in Lawrenceville that needed fresh artwork. There had been previous layers of posters at this location, including an old Shepard Fairey mural that had deteriorated almost beyond recognition. Kaff–Eine told us that she wanted to use the beautiful layers of posters that were already there and that she basically used their colour and texture, painting highlights and shadows but leaving the original old posters to come through in the image. She painted a white-tailed deer for the Pennsylvanian State Fauna, and the goat was done in memory of a dear friend.

If you look closely you can see the old artwork bleeding through the new images.

UPDATE July 2015

The deer is gone. There’s new artwork on the right side where the deer used to be. We talked with artist Jeremy Raymer who did the new art and he told us that someone removed the plywood that the deer had been painted on. Apparently the building is scheduled for demolition at some point, so his new artwork along with the goat won’t be here long either. We kind of hope that the thief was trying to save the artwork rather than just vandalizing the building. Good intentions n’at. The hooves remain, making it a bit interesting:

2016 - GONE

25 September 2016

August Wilson Tribute Mural by MLK Community Murals

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This mural is done in honor of Pulitzer Award winning, African–American playwright August Wilson. Born Frederick August Kittel in 1945, he took the pen name August Wilson when he was twenty and began his writing career. Initially he worked at being a poet, but in 1979 his career as a successful playwrite began.

August Wilson’s Plays

  • 1979 Jitney
  • 1982 Ma Rainey̵s Black Bottom
  • 1983 Fences, which earned his first Pulitzer Prize and a Tony Award
  • 1984 Joe Turner’s Come and Gone
  • 1986 The Piano Lesson, earned the second Pulitzer Prize
  • 1990 Two Trains Running
  • 1995 Seven Guitars
  • 2001 King Hedley II
  • 2003 Gem of the Ocean
  • 2005 Radio Golf

Mr Wilson’s ten plays are a series, known as The Pittsburgh Cycle. Each of these plays is set in a different decade of the twentieth century, where he depicts life as an African–American here. Nine of his plays are set in the Hill District, where this mural now stands in his honor.

Along the bottom of the mural are ten scenes. Each created to represent one of the plays. These images are the portion of the mural done by young artists as a summer work program. They learn art and painting from established artists and spend their summer doing something that beautifies their neighborhood and educates us all.

We found so much symbolism crammed into every corner on this mural. Some of the people passing by did not know who August Wilson was, and as we discussed his accomplishments and pointed out some of the images in the mural, they seemed as fascinated as we were. That shows promise that the mural will do it’s job in educating more Pittsburghers about this talented writer.

Converted this close up to black and white to make it easier to read.