Showing posts with label Squirrel Hill. Show all posts
Showing posts with label Squirrel Hill. Show all posts

20 March 2016

Environmental Themed mural series by students

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What would Pittsburgh’s landscapes and communities look like if they were part of a healthy, functioning ecosystem? That was the theme and the title for this series of five murals. Each panel offers an answer to that question. It was the idea of high school student Lucy Newman, of Pittsburgh Obama, who saw the five blank garage doors while she was working at Sylvania Natives, a local nursery. The owner of the nursery had suggested she create her own internship project, and she came up with the plan to do environmental themed murals on those doors.

Kathy McGregor, who owns the nursery, worked together with Lucy and others to develop the question that inspired the murals. As they were potting up plants, Lucy and Kathy would spend hours discussing how to go about painting the murals in a way that is consistent with her business. (An evironmentally responsible nursery, Sylvania Natives grows only plants native to this area.) When Lucy asked her art teacher, Donna Hetrick, for help on paint colors and types, Ms. Hetrick jumped right into the project.

The project grew into a community effort called the Plants and Paints Summer Workshop. Lucy and nine other students from various Pittsburgh high schools participated in the project. During the workshop, the student artists talked with people from Pittsburgh Parks Conservancy, Tree Pittsburgh, Clean Rivers Campaign, Sierra Club and others, to learn more about environmental issues. They split into five groups, each in charge of designing and executing a mural for one of the doors. Several local artists - Silvija Singh, Karen Coyne, Clayton Merrell, and Maria Harrington - helped the students with their designs and gave advice on painting techniques.


Mother Knows Best by Heather Harrington, Jordan Schultz–Mcardle, and Lainey Newman.

Artist’s statement for this panel:
In this piece we mainly want it to be thought provoking. We don’t want to tell you if we answered the question or not. Its (sic) up to you (the viewer). Same thing with what we were trying to convey, its (sic) what you want to see, not what we want you to see. This is not some lame excuse to not give you a statement, I promise. However I will give you some of our input. We decided to have the color purple coming out of the silhouettes (sic) mouth because it seemed to convey a better message. Then the purple leads into a green, as you can see the green turns into a milkweed plant. There on the plant is a caterpillar monarch and it leads into the next mural.


Metamorphosis by Lucy Newman and Lainey Newman.

Artist’s statement for this panel:
Monarch butterflies and milkweed plants have evolved together, and now neither can survive without help from the other. Interdependence is common to all forms of life, but the beautiful monarch has become symbolic of such relationships. As manmade infrastructure and introduced species begins to encroach upon natural habitats, the entire ecosystem suffers. In this project, we attempted to envision what our city would look like if it were part of a healthy, functioning ecosystem. Perhaps one day, we will be able to look down from Mount Washington through a thriving forest, at a city composed entirely of green infrastructure. We are not there yet, though we are going through a metamorphosis.


Vision, by Zoe Merrell and Natalie Kandra.

Artist’s statement for this panel:
This mural shows how a street in Pittsburgh would look different if we took steps such as building rain gardens, installing rain barrels and permeable pavement, capturing wind and solar energy, constructing green roofs, making streets bike and pedestrian–friendly, and planting a diversity of native plants and trees. Each of these actions is just a small part of a larger movement to change the way we interact with the earth. If individuals and communities decide to move towards a sustainable model of living rather than continuing to disrupt and destroy the environment, this vision can become a reality.


Untitled, by Clair Holthaus and Kay Hughes.

Artist’s statement for this panel:
Our piece depicts a Pittsburgh fueled by clean and efficient energy, such as solar, wind and hydro power. It also pictures a problem with our energy resources – how to efficiently store large amounts of energy. The trees bordering the city show Pittsburgh heading towards a greener and environmentally friendly future.


Planting a Community, by Myiya Peters and Merryn Spence

Artist’s statement for this panel:
Having a healthy and functioning ecosystem involves everyone working together. Our painting shows that anyone and everyone can take part in helping the environment. It’s a simple yet profound experience. The message we are trying to convey through our mural is that it takes a community to act upon an issue and create change. Through the four colorful people planting the tree, were (sic) attempting to show that anyone from any place can help to make a community more environmentally friendly. We attempted to answer the question What would Pittsburgh’s landscapes and communities look like if they were part of a healthy, functioning ecosystem?, by conveying Pittsburgh as a community with more plants and trees, clean air, and people of different backgrounds contributing to creating this Eco–friendly environment. In order to answer the overarching question, we used collaboration, our creative thought process, and paints!

While not a Sprout Fund Public Art mural, the project was sponsored in part by the Sprout Fund’s Hive Fund for Connected Learning. Hive Pittsburgh is a program of the Sprout Fund that supports connected learning projects that help youth, including tweens, teens and young adults, prepare for college, the workforce, and civic participation. Other sponsors included the Nine Mile Run Watershed Association, Sylvania Natives, the Artist and Craftsman Supply Company, and the East End Food Co–op.

Old Frick Environmental Center Mural

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Two fellow cyclists alerted us to this mural. It’s unlikely we would have stumbled onto it ourselves anytime soon as it’s on the back of the burned out Frick Environmental Center. The trail that runs behind the building seems more of a hiking (and perhaps mountain biking) trail, but not one we would normally ride on for our city mural searches.


Photo supplied by Paul Heckbert

With the information from our friends, we arrived at the park entrance and walked the trail that led to the back of the building. We don’t know how much longer this building might be here. The fire that destroyed it was in 2002, so we were surprised that what was left was still standing almost 12 years later. The Pittsburgh Parks Conservancy now manages the Frick Environmental Center. We found nothing indicating if or when they might demolish the old structure, but they are in the process of designing and funding a new one. Their goal is for the new center to meet the standard for both Leadership in Energy and Environmental Design (LEED) and for Living Building Challenge (LBC) certifications.

Obviously the artwork isn’t in the best condition. We could find no information for this old mural. The designs are cut out of plywood, painted and attached to the wall. No signatures or dates were evident anywhere on the artwork.

We did find that the turtle’s name is Bob, and that the deer has good taste.

05 March 2016

Randy Pausch Bridge by multiple artists

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The late Professor Randy Pausch was an inspiration to the world. After viewing his Last Lecture video, or reading his book you can’t help looking at things a bit differently. What a tremendous loss for his family, friends, Carnegie Mellon University (CMU), and the world when he passed away from pancreatic cancer in 2008.

This professor had a profound impact on us all. CMU chose to build a memorial to him on their campus, and we couldn’t imagine a nicer one than the Randy Pausch Bridge.

During the day is doesn’t appear to be exceptional. It’s a nice enough looking pedestrian walkway, but you wouldn’t really think twice about it as you crossed between the Purnell Center and Gates and Hillman Center buildings. At night though... well that’s a different story. At night the bridge comes alive in ever changing colors. Using more than 7000 LEDs, the computer generated patterns were designed to represent the metaphors that Professor Pausch used in The Last Lecture. There’s a description of each of them on a CMU web page. It is a beautiful tribute to a beautiful human being. We hope the students that use it never forget the man that inspired it.

The Menorah by Daniel Kafri

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This sculpture won a competition for American and Israeli artists in 1988. It now graces the Forbes Ave entrance to the the Jewish Community Center.

A Hanukkiyah or Hanukkah Menorah is used during the Jewish holiday of Hanukkah (or Chanukah), which celebrates the miracle of when one day’s worth of oil lasted for eight days.

26 January 2016

Keeping Tabs Holocaust Memorial by multiple artists

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Hazak, hazak, v’nitkhazek – Be Strong, Be Strong, and May We Be Strengthened

At the beginning of Nov 2013, this memorial sculpture was dedicated on the grounds of the Community Day School in Squirrel Hill. It was 18 years in the making. It didn’t start out to be a memorial in 1995. It began as a way for teacher Bill Walter to help his students grasp the enormity of the number 6,000,000. The number of Jewish lives brutally ended in the holocaust. He asked his students to start collecting pop tabs with the goal of collecting six million. The enormity of that task necessitated that more people would have to collect the tabs if they were ever to reach their goal. The other students in the school joined in, then community members, then more. Pop tabs came pouring in and after 4 1/2 years they had reached their goal of 6,000,000.

It was several more years before the idea of turning that collection into a memorial materialized. They then needed to raise funding as well as come up with a design. To their credit they did not rush this process. They brought in Elena Hiatt Houlihan, an artist, to work with the students and teach them some fundamentals of designing a public art piece. The full title of this is actually Gary & Nancy Tuckfelt Keeping Tabs Holocaust Sculpture after the two largest donors.

Three students: Maya Krasnow, Ingrida Ramanaviciene, and Pam Savitz came up with the basic design. Many others worked on the final design including architectural advisors, landscapers and contractors. What they ended up with is phenomenal in our humble opinions. It is simple and it manages to convey a profound sense of sadness.

Each pop tab, representing one life callously discarded by the Nazis, is placed into a glass block. There are 6,250 tabs per block.

960 blocks

Twelve walls make up the structure of an open, or fractured, Star of David that you can walk through.

The glass blocks are held in steel frames. It is stark and simple and poignant.

In a concrete ribbon that flows past the sculpture is an inscription in Hebrew and English. Hazak, hazak, v’nitkhazek – Be Strong, Be Strong, and May We Be Strengthened

In some ways we would have liked to see this memorial installed in a more public location where many more Pittsburghers and visitors would have seen it. In another way, however, (especially on a cold, grey, winter day) the location itself adds to the feel of the memorial. It sits far away from the city, and from any business district, where most of us must make an effort to visit it. It’s sense of isolation within the predominantly Jewish neighborhood reminds us that so much of the world remained far outside the horrific events of the holocaust. The rest of the world wasted far too much time before stopping this atrocity.

There was no vantage point near the monument where we could view the sculpture from above, so we kept checking until Google Maps satellite imagery finally updated on this block. We copied this image straight from Google Maps. Only from above can you fully appreciate the open Star of David design.


Image from Google Maps, Satellite view, Imagery ©2014 Sanborn, Map data ©2014 Google

Never forget.

16 January 2016

Amazing Hands by Terri Draghi, multiple artists

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The dinosaurs from the Carnegie Museum’s DinoMite Days were all adopted and moved to their new homes years ago. A handful remain scattered around the city in public places and those are the ones we’ve included in this website.

This is Amazing Hands AKA Wilson to the kids that helped to create him. You may remember the amazing theme from commercials for The Children’s Institute. In fact, their website is www.amazingkids.org/ and it was their students along with artist Terri Draghi that turned this Rex into a garden themed dino. He was originally photographed holding a watering can, but it wasn't with him when we stopped by.

Multi–colored handprints make the flowers growing on this cheerful dino.

Walking to the Sky by Jonathan Borofsky

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This is a copy of a sculpture installed in NYC in 2004. It was inspired by a story that the artist's father told him when he was a child about a father and son visiting a friendly giant in the sky. Mr Borofsky is an alumni of Carnegie Melon University and this sculpture is placed prominently on CMU’s campus. In a CMU press release in 2006, Jonathan Borafsky is quoted as saying that the sculpture is a celebration of the human potential for discovering who we are and where we need to go. Walking to the Sky is a portrait of all of humanity rising upward from the earth to the heavens above – striving into the future with strength and determination. Ultimately, this sculpture is a symbol for our collective search for wisdom and awakened consciousness.

06 January 2016

Squirrel Hill mural by multiple artists

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This mural with different animals is on the side of a pet store. Our first thought was that it was representing the pet shop, but according to one of it’s designers, this mural is much more than that. Lucas Stock tells us that the themes reflected are multi–culturalism, different languages, use of abstract typography and colorfields and that it’s representing the Squirrel Hill neighborhood’s vibrant shopping district along Murray Avenue, local architecture, art, community and caring for plants and animals.

Paradise by Julie Webb

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This artist created her version of paradise on this detached garage. The mural wraps around the building and the painted flowers are complemented by the real ones growing next to them.

All In A Day by Monique Luck, Leslie Ansley

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Artist Leslie Ansley told us about this mural. All in a Day is a collage of images from a typical day in the neighborhood. Created by Leslie Ansley and Monique Luck, the mural features local residents and community landmarks, such as Frick Park’s Blue Slide Park, The Jewish Community Center Clock, and The Squirrell Hill Café. The artists described it as our interpretation of snapshots of Squirrel Hill.


Photo by Leslie Ansley

They received design input from community members and walked all over the neighborhood taking photos of the local residents. This process at times inspired spontaneous changes in the mural design. There was a place in the mural where they wanted the face of an older gentleman. One day they were out working on the mural and looked over at the BP station and saw just what they wanted. They ran over immediately and got permission to take the picture for what would be the largest image on the mural.


Photo by Leslie Ansley